Search Course Outline
Showing 25 course outlines from 1326 matches
1101
ANCIENT 749B
: Themes and Issues in Ancient Culture2021 Semester Two (1215)
A study of themes and issues in ancient culture.
Restriction: ANCHIST 749
To complete this course students must enrol in ANCIENT 749 A and B
1102
ANCIENT 749B
: Themes and Issues in Ancient Culture2020 Semester Two (1205)
A study of themes and issues in ancient culture.
Restriction: ANCHIST 749
To complete this course students must enrol in ANCIENT 749 A and B
1103
ANCIENT 750B
: Sources and Approaches for the Ancient World2025 Semester Two (1255)
A study of the evidence for the ancient world, as well as how to apply it.
Restriction: ANCHIST 750
To complete this course students must enrol in ANCIENT 750 A and B
1104
ANCIENT 750B
: Sources and Approaches for the Ancient World2024 Semester Two (1245)
A study of the evidence for the ancient world, as well as how to apply it.
Restriction: ANCHIST 750
To complete this course students must enrol in ANCIENT 750 A and B
1105
ANCIENT 750B
: Sources and Approaches for the Ancient World2023 Semester Two (1235)
A study of the evidence for the ancient world, as well as how to apply it.
Restriction: ANCHIST 750
To complete this course students must enrol in ANCIENT 750 A and B
1106
ANCIENT 750B
: Sources and Approaches for the Ancient World2022 Semester Two (1225)
A study of the evidence for the ancient world, as well as how to apply it.
Restriction: ANCHIST 750
To complete this course students must enrol in ANCIENT 750 A and B
1107
ANCIENT 750B
: Sources and Approaches for the Ancient World2021 Semester Two (1215)
A study of the evidence for the ancient world, as well as how to apply it.
Restriction: ANCHIST 750
To complete this course students must enrol in ANCIENT 750 A and B
1108
ANCIENT 750B
: Sources and Approaches for the Ancient World2020 Semester Two (1205)
A study of the evidence for the ancient world, as well as how to apply it.
Restriction: ANCHIST 750
To complete this course students must enrol in ANCIENT 750 A and B
1109
ANCIENT 751B
: Ancient Societies in the Mediterranean World2020 Semester Two (1205)
A study of the societies which developed around the ancient Mediterranean.
Restriction: ANCHIST 751
To complete this course students must enrol in ANCIENT 751 A and B
1110
ARTHIST 114G
: Understanding Art: Leonardo to Warhol2024 Semester One (1243)
Visual intelligence is crucial in navigating the world of images that convey coded messages, and the history of ideas fundamental to all disciplines. How do we read such images? This course decodes artworks, photographs, advertising, digital images, and architecture, providing tools to analyse artists from Leonardo to Warhol: experts at moving the eye around the image for meaning to emerge.
Restriction: ARTHIST 109
1111
ARTHIST 114G
: Understanding Art: Leonardo to Dali2023 Semester One (1233)
Is seeing learned? Can an image be read in the same way as a text? Understanding images from different historic periods, from Leonardo da Vinci to Andy Warhol, is central to everyday life. Visual literacy is fundamental to all disciplines. This course provides students with tools for making sense of various kinds of images and objects: photographs, advertisements, paintings, film, television, monuments, buildings, maps, landscape, digital and internet images.
Restriction: ARTHIST 109
1112
ARTHIST 114G
: Understanding Art: Leonardo to Dali2022 Semester One (1223)
Is seeing learned? Can an image be read in the same way as a text? Understanding images from different historic periods, from Leonardo da Vinci to Andy Warhol, is central to everyday life. Visual literacy is fundamental to all disciplines. This course provides students with tools for making sense of various kinds of images and objects: photographs, advertisements, paintings, film, television, monuments, buildings, maps, landscape, digital and internet images.
Restriction: ARTHIST 109
1113
ARTHIST 115G
: Global Art Histories2024 Semester Two (1245)
A broad survey of visual art spanning from the early modern period to the contemporary. Students will be introduced to a range of art practices situated within a global context and will consider art works produced in Māori and Pacific cultures alongside Indian, South Asian, Middle Eastern, European and American traditions.
No pre-requisites or restrictions
1114
ARTHIST 115G
: Global Art Histories2023 Semester Two (1235)
A broad survey of visual art spanning from the early modern period to the contemporary. Students will be introduced to a range of art practices situated within a global context and will consider art works produced in Māori and Pacific cultures alongside Indian, South Asian, Middle Eastern, European and American traditions.
No pre-requisites or restrictions
1115
ARTHIST 115G
: Global Art Histories2022 Semester Two (1225)
A broad survey of visual art spanning from the early modern period to the contemporary. Students will be introduced to a range of art practices situated within a global context and will consider art works produced in Māori and Pacific cultures alongside Indian, South Asian, Middle Eastern, European and American traditions.
No pre-requisites or restrictions
1116
ARTHIST 206
: South Asian Photography2020 Semester One (1203)
Examines the development and reception of photography from the nineteenth to the twenty-first centuries across South Asia, focusing on how photographic practices evolved in response to socio-political factors such as class, gender, and colonisation. The course will cover topics such as studio portraits, painted images, and fine-art prints looking at work by artists such as Dayanita Singh and Raghu Rai.
Prerequisite: 15 points at Stage I in Art History and 30 points passed
Restriction: ARTHIST 313
Restriction: ARTHIST 313
Outline is not available yet
1117
ARTHIST 210
: Modernism and Design2022 Semester One (1223)
A study of the central role played by architecture and design within twentieth-century Modernism. Dealing with function, materials, decoration and Modernist theory, the course spans the period from Art Nouveau in the 1890s to World War II. The main focus will be on Europe and the United States, with some references to New Zealand.
Prerequisite: 15 points at Stage I in Art History and 30 points passed
Restriction: ARTHIST 310
Restriction: ARTHIST 310
Outline is not available yet
1118
ARTHIST 217
: Contemporary Pacific Art2021 Semester Two (1215)
Focuses on work by contemporary Pacific artists, exploring the ways that they translate indigenous knowledge and urban experiences into gallery forms such as painting, installation, performance, film and video making. Themes such as migration and diaspora, language and memory, notions of homelands and return, and the creation of complex cultural identities will be explored.
Prerequisite: 15 points at Stage I in Art History and 30 points passed
Restriction: ARTHIST 317
Restriction: ARTHIST 317
Outline is not available yet
1119
ARTHIST 246
: Global History of Photography2021 Semester One (1213)
Overview of photography’s global history, beginning with proto-photographic forms and ending with a consideration of digital technology and social media. Art photography is examined alongside journalistic, scientific and ethnographic paradigms of photographic practice. Conceptual issues such as socio-cultural power relationships and diverse representations of time lie at the heart of this course.
Prerequisite: 15 points at Stage I in Art History and 30 points passed
Restriction: ARTHIST 346
Restriction: ARTHIST 346
Outline is not available yet
1120
ARTHIST 310
: Modernism and Design2022 Semester One (1223)
A study of the central role played by architecture and design within twentieth-century Modernism. Dealing with function, materials, decoration and Modernist theory, the course spans the period from Art Nouveau in the 1890s to World War II. The main focus will be on Europe and the United States, with some references to New Zealand.
Prerequisite: 15 points at Stage II in Art History and 60 points passed
Restriction: ARTHIST 210
Restriction: ARTHIST 210
Outline is not available yet
1121
ARTHIST 313
: South Asian Photography2020 Semester One (1203)
Examines the development and reception of photography from the nineteenth to the twenty-first centuries across South Asia, focusing on how photographic practices evolved in response to socio-political factors such as class, gender, and colonisation. The course will cover topics such as studio portraits, painted images, and fine-art prints looking at work by artists such as Dayanita Singh and Raghu Rai.
Prerequisite: 15 points at Stage II in Art History and 60 points passed
Restriction: ARTHIST 206
Restriction: ARTHIST 206
Outline is not available yet
1122
ARTHIST 332
: Art Crime2020 Semester One (1203)
Explores the growing trend of art crime through a focus on five primary areas: theft, fraud, smuggling, forgery, and vandalism. These will be examined within the context of international and New Zealand case studies, including the theft of the Mona Lisa in 1911, Nazi looting in World War II, and thefts during the Iraq War in 2003. Ways to curb such crime, particularly the development of art crime squads, will also be discussed.
Prerequisite: 15 points at Stage II in Art History and 60 points passed
Restriction: ARTHIST 230
Restriction: ARTHIST 230
Outline is not available yet
1123
ARTHIST 346
: Global History of Photography2021 Semester One (1213)
Overview of photography’s global history, beginning with proto-photographic forms and ending with a consideration of digital technology and social media. Art photography is examined alongside journalistic, scientific and ethnographic paradigms of photographic practice. Conceptual issues such as socio-cultural power relationships and diverse representations of time lie at the heart of this course.
Prerequisite: 15 points at Stage II in Art History and 60 points passed
Restriction: ARTHIST 246
Restriction: ARTHIST 246
Outline is not available yet
1124
ARTHIST 700A
: Participation, Collaboration, and Photography2021 Semester One (1213)
Explores a range of increasingly prevalent artistic practice grounded in artistic collaboration and audience participation that are typically mediated though photographic documentation. Considering work by artists such as Thomas Hirschhorn, Tania Bruguera, and Sophie Calle, this course covers topics such as relational aesthetics, site-specificity and pedagogical interventions into public space.
To complete this course students must enrol in ARTHIST 700 A and B, or ARTHIST 700
Outline is not available yet
1125
ARTHIST 700A
: Participation, Collaboration, and Photography2020 Semester One (1203)
Explores a range of increasingly prevalent artistic practice grounded in artistic collaboration and audience participation that are typically mediated though photographic documentation. Considering work by artists such as Thomas Hirschhorn, Tania Bruguera, and Sophie Calle, this course covers topics such as relational aesthetics, site-specificity and pedagogical interventions into public space.
To complete this course students must enrol in ARTHIST 700 A and B, or ARTHIST 700
Outline is not available yet