Search Course Outline
Showing 25 course outlines from 3987 matches
2101
MEDIA 715
: Visualising Difference2025 Semester One (1253)
Critically examines the representation of racial and ethnic difference in cinema and broadcast television. This course explores and discusses how difference has been conceptualised in colonial, post-colonial, and multicultural frameworks using examples from the USA, Canada, Australia, and New Zealand.
No pre-requisites or restrictions
2102
MEDIA 715
: Visualising Difference2024 Semester One (1243)
Critically examines the representation of racial and ethnic difference in cinema and broadcast television. This course explores and discusses how difference has been conceptualised in colonial, post-colonial, and multicultural frameworks using examples from the USA, Canada, Australia, and New Zealand.
No pre-requisites or restrictions
2103
MEDIA 715
: Visualising Difference2023 Semester Two (1235)
Critically examines the representation of racial and ethnic difference in cinema and broadcast television. This course explores and discusses how difference has been conceptualised in colonial, post-colonial, and multicultural frameworks using examples from the USA, Canada, Australia, and New Zealand.
Restriction: FTVMS 715
2104
MEDIA 716
: Love in/Loving the Cinema2024 Semester Two (1245)
Critically examines the theme of love in the cinema. Looks at why the love story has been such a staple of movie narratives and what films can teach us about love. Also explores the nature of the love of cinema itself, cinephilia.
No pre-requisites or restrictions
2105
MEDIA 716
: Love in/Loving the Cinema2020 Semester One (1203)
Critically examines the theme of love in the cinema. Looks at why the love story has been such a staple of movie narratives and what films can teach us about love. Also explores the nature of the love of cinema itself, cinephilia.
Restriction: FTVMS 716
2106
MEDIA 717
: Ubiquitous Media2025 Semester One (1253)
Ubiquitous computing has led to an increasingly mediatised world known as the ‘Internet of things’. With the increased use of tags and sensors, the development of smart environments means that communication and information media increasingly shape our world and define our relations with others. This interdisciplinary course interrogates the philosophical, social and political implications of the move from software to 'everyware’.
No pre-requisites or restrictions
2107
MEDIA 717
: Ubiquitous Media2024 Semester Two (1245)
Ubiquitous computing has led to an increasingly mediatised world known as the ‘Internet of things’. With the increased use of tags and sensors, the development of smart environments means that communication and information media increasingly shape our world and define our relations with others. This interdisciplinary course interrogates the philosophical, social and political implications of the move from software to 'everyware’.
No pre-requisites or restrictions
2108
MEDIA 717
: Ubiquitous Media2023 Semester Two (1235)
Ubiquitous computing has led to an increasingly mediatised world known as the ‘Internet of things’. With the increased use of tags and sensors, the development of smart environments means that communication and information media increasingly shape our world and define our relations with others. This interdisciplinary course interrogates the philosophical, social and political implications of the move from software to 'everyware’.
Restriction: FTVMS 717
2109
MEDIA 717
: Ubiquitous Media2022 Semester Two (1225)
Ubiquitous computing has led to an increasingly mediatised world known as the ‘Internet of things’. With the increased use of tags and sensors, the development of smart environments means that communication and information media increasingly shape our world and define our relations with others. This interdisciplinary course interrogates the philosophical, social and political implications of the move from software to 'everyware’.
Restriction: FTVMS 717
2110
MEDIA 729
: Film Evil2025 Semester Two (1255)
Explores the theme of evil in the cinema. What films can teach about evil and why it is that conceptions of evil - its nature and source as well as distinctions between natural and moral evil - have formed so much of the subject matter of cinema. The course also considers the proposition that some films may themselves be evil.
No pre-requisites or restrictions
2111
MEDIA 729
: Film Evil2022 Semester Two (1225)
Explores the theme of evil in the cinema. What films can teach about evil and why it is that conceptions of evil - its nature and source as well as distinctions between natural and moral evil - have formed so much of the subject matter of cinema. The course also considers the proposition that some films may themselves be evil.
Restriction: FTVMS 729
2112
MEDIA 741
: Time and the Moving Image2025 Semester Two (1255)
Explores how moving images mediate our experience of time, from the actualités of early cinema to video games and digital special effects. Addresses the representation and articulation of time across documentary and narrative cinema, experimental film and video, television and new media, with reference to key concepts in philosophy and media theory.
No pre-requisites or restrictions
2113
MEDIA 741
: Time and the Moving Image2024 Semester One (1243)
Explores how moving images mediate our experience of time, from the actualités of early cinema to video games and digital special effects. Addresses the representation and articulation of time across documentary and narrative cinema, experimental film and video, television and new media, with reference to key concepts in philosophy and media theory.
No pre-requisites or restrictions
2114
MEDIA 741
: Time and the Moving Image2023 Semester One (1233)
Explores how moving images mediate our experience of time, from the actualités of early cinema to video games and digital special effects. Addresses the representation and articulation of time across documentary and narrative cinema, experimental film and video, television and new media, with reference to key concepts in philosophy and media theory.
Restriction: FTVMS 741
2115
MEDIA 741
: Time and the Moving Image2022 Semester One (1223)
Explores how moving images mediate our experience of time, from the actualités of early cinema to video games and digital special effects. Addresses the representation and articulation of time across documentary and narrative cinema, experimental film and video, television and new media, with reference to key concepts in philosophy and media theory.
Restriction: FTVMS 741
2116
MEDIA 741
: Time and the Moving Image2021 Semester Two (1215)
Explores how moving images mediate our experience of time, from the actualités of early cinema to video games and digital special effects. Addresses the representation and articulation of time across documentary and narrative cinema, experimental film and video, television and new media, with reference to key concepts in philosophy and media theory.
Restriction: FTVMS 741
2117
MEDIA 743
: Chinese Film Genres2025 Semester One (1253)
Explores the evolution of major film genres of the Chinese-language cinemas (i.e., cinemas of mainland China, Hong Kong, Taiwan and the Chinese diaspora). Investigates the formal styles of such genres as melodrama, youth, avant-garde, and documentary as well as how the changing styles reflect some big issues of sociocultural significances.
No pre-requisites or restrictions
2118
MEDIA 743
: Chinese Film Genres2024 Semester Two (1245)
Explores the evolution of major film genres of the Chinese-language cinemas (i.e., cinemas of mainland China, Hong Kong, Taiwan and the Chinese diaspora). Investigates the formal styles of such genres as melodrama, youth, avant-garde, and documentary as well as how the changing styles reflect some big issues of sociocultural significances.
No pre-requisites or restrictions
2119
MEDIA 743
: Chinese Film Genres2021 Semester Two (1215)
Explores the evolution of major film genres of the Chinese-language cinemas (i.e., cinemas of mainland China, Hong Kong, Taiwan and the Chinese diaspora). Investigates the formal styles of such genres as melodrama, youth, avant-garde, and documentary as well as how the changing styles reflect some big issues of sociocultural significances.
Restriction: FTVMS 743
2120
MEDIA 743
: Chinese Film Genres2020 Semester Two (1205)
Explores the evolution of major film genres of the Chinese-language cinemas (i.e., cinemas of mainland China, Hong Kong, Taiwan and the Chinese diaspora). Investigates the formal styles of such genres as melodrama, youth, avant-garde, and documentary as well as how the changing styles reflect some big issues of sociocultural significances.
Restriction: FTVMS 743
2121
MEDIA 748
: Special Topic: Documentary Making2022 Semester One (1223)
A hands-on production course in which students produce, direct and edit a 9-12 minute documentary. Emphasis is placed on learning technical and craft aspects of documentary-making informed by the rich and varied tradition of the genre. Students are also required to analyse a series of influential documentaries screened as part of the course.
Restriction: SCREEN 713, COMMS 713
2122
2123
2124
MEDIA 781
: Research Project2020 Semester Two (1205)
Directed research on an assigned topic. Following an introduction to the key issues in conducting such sustained research, students will develop their project through workshops, discussions and group supervisory sessions. This is a required course for all BA(Hons) students in Film, Television and Media Studies, or Media, Film and Television.
Restriction: FTVMS 781
2125
MUSEUMS 700
: Exhibiting Cultures: International2024 Semester Two (1245)
Investigates the presentation of cultures in museums, art galleries and other sites globally, the strategies of public exhibitions, and the role of curators and institutions in identity formation and nationalism. Case studies are drawn from international and indigenous practice, as well as regional examples from Aotearoa New Zealand, Australia and the Pacific.
Restriction: ARTHIST 715, 721, 736, MUSEUMS 701, 703, 704
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