LATINAM 301 : Music, Politics and Social Change

Arts

2021 Semester Two (1215) (15 POINTS)

Course Prescription

A theorised study of the history of twentieth-century social movements in Latin America through its poetry and music, largely as expressed in popular forms. The major focus is on the political and cultural manifestations of these expressions as they respond to and instigate social change.

Course Overview

“Music, Politics and Social Change in Latin America” proposes to offer a journey through the social, cultural and political history of Latin America through the study and critique of its vast, diverse and unique music. In order to do this, we will review musical genres and movements from the time of the war of 1898, the event that ends Spanish colonialism in Latin America and establishes North American neocolonialism, to conclude with the most current rock en español and hip-hop music, and its recuperation of traditional folk Latin American musical sources. Our study will not only look to identify these musical forms, but above all, understand them in their specific sociopolitical context to be able to comprehend their aesthetic value as much as their ethical and social importance.

In this process we will discover that popular music in general, and Latin American music in particular, does not only serve to reflect the social and political changes of a given community, but also puts into motion, and has constantly exercised resistance to protect a cultural inheritance and communitarian values that have been seen to be threatened as much by national as colonial hegemonic interests, and more recently, by transnational hegemonic ones. Despite the appropriation that many forms of popular music are subjected to in order to erase their subversive power (as in recent years has been the case with hip-hop), popular music, like mambo, salsa, rock or Latin pop, are manifestations that serve to observe the tension, and at times the alliances that are generated between popular culture created by 'the people' and popular culture to be consumed by 'the people'. In this sense, observing the negotiations between cultural forms that compete to have access to popular awareness, helps to understand the complex ideological processes that affect not only the way in which we entertain ourselves (assuming that music is only for entertainment), but our whole way of thinking and how we perceive our own identity and that of 'different' others. Inevitably, politics and culture are not fields that function separately in society, because through various cultural forms, distinct political agendas look to transmit, oppose or consolidate socio-ideological programmes.

For these reasons, our study of Latin American musical genres and movements involves at least three important aspects: the historic-political, the aesthetic component of each musical form studied and the theoretical aspects, which allows us to pay attention to political and sociological aspects of what is understood as the field of 'popular culture'. This last aspect will take us to review and work with methodological concepts such as hegemony, discourse, subalternity, colonialism, neocolonialism, otherness and exoticism, among others.

Course Requirements

Prerequisite: 15 points from LATINAM 201, SPANISH 202, 306, or 30 points at Stage II in BGlobalSt courses Restriction: LATINAM 216, SPANISH 216

Capabilities Developed in this Course

Capability 1: Disciplinary Knowledge and Practice
Capability 2: Critical Thinking
Graduate Profile: Bachelor of Arts

Learning Outcomes

By the end of this course, students will be able to:
  1. Demonstrate an understanding of of the historical, political and musicological aspects of 20th and 21st Century Latin American music through its relationship with social processes and changes (Capability 1.1, 1.2 and 2.3)
  2. Identify some of the basic features of this music in order to be able to distinguish it from other forms from around the world (Capability 1.1 and 2.3)
  3. Explain the variety of musical forms depending on regional, ethnic, social and historical differences (Capability 1.1, 1.2 and 2.2)
  4. Make connections between these musical genres and movements with other artistic forms in Latin America, in particular literature, film and street art (Capability 1.2 and 2.2)

Assessments

Assessment Type Percentage Classification
Coursework 100% Individual Coursework

Workload Expectations

This course is a standard 15  point course and students are expected to spend 10 hours per week involved in each 15 point course that they are enrolled in.

For this course, you can expect 2  hours of lectures, a 1 hour tutorial, 4 hours of reading and thinking about the content and 3 hours of work on assignments and/or test preparation.

Delivery Mode

Campus Experience or Online

This course is offered in two delivery modes:

Campus Experience

Attendance is required at scheduled activities including tests and quizzes to complete the components of the course.
Lectures will be available as recordings.
Attendance on campus is required for the exam.
The activities for the course are scheduled as a standard weekly timetable.

Online

Attendance is required at scheduled online activities including tests and quizzes to complete the components of the course.
The course will include live online events including tutorials and lectures, and these will be recorded.
Attendance on campus is not required for the exam.
Where possible, study material will be available at course commencement.
This course runs to the University semester timetable and all the associated completion dates and deadlines will apply.

Learning Resources


    1. Keen, Benjamin and Haynes, Keith. A History of Latin America. 9th ed. Belmont: Wadsworth, 2013.
   2. Course Reading, available in CANVAS website.
   3. Music selection and films, available in the CANVAS website.

Student Feedback

At the end of every semester students will be invited to give feedback on the course and teaching through a tool called SET or Qualtrics. The lecturers and course co-ordinators will consider all feedback and respond with summaries and actions.

Your feedback helps teachers to improve the course and its delivery for future students.

Class Representatives in each class can take feedback to the department and faculty staff-student consultative committees.

Digital Resources

Course materials are made available in a learning and collaboration tool called Canvas which also includes reading lists and lecture recordings (where available).

Please remember that the recording of any class on a personal device requires the permission of the instructor.

Academic Integrity

The University of Auckland will not tolerate cheating, or assisting others to cheat, and views cheating in coursework as a serious academic offence. The work that a student submits for grading must be the student's own work, reflecting their learning. Where work from other sources is used, it must be properly acknowledged and referenced. This requirement also applies to sources on the internet. A student's assessed work may be reviewed against online source material using computerised detection mechanisms.

Inclusive Learning

All students are asked to discuss any impairment related requirements privately, face to face and/or in written form with the course coordinator, lecturer or tutor.

Student Disability Services also provides support for students with a wide range of impairments, both visible and invisible, to succeed and excel at the University. For more information and contact details, please visit the Student Disability Services’ website http://disability.auckland.ac.nz

Well-being always comes first
We all go through tough times during the semester, or see our friends struggling. There is lots of help out there - for more information, look at this Canvas page https://canvas.auckland.ac.nz/courses/33894, which has links to various support services in the University and the wider community.

Special Circumstances

If your ability to complete assessed coursework is affected by illness or other personal circumstances outside of your control, contact a member of teaching staff as soon as possible before the assessment is due.

If your personal circumstances significantly affect your performance, or preparation, for an exam or eligible written test, refer to the University’s aegrotat or compassionate consideration page https://www.auckland.ac.nz/en/students/academic-information/exams-and-final-results/during-exams/aegrotat-and-compassionate-consideration.html.

This should be done as soon as possible and no later than seven days after the affected test or exam date.

Learning Continuity

In the event of an unexpected disruption we undertake to maintain the continuity and standard of teaching and learning in all your courses throughout the year. If there are unexpected disruptions the University has contingency plans to ensure that access to your course continues and your assessment is fair, and not compromised. Some adjustments may need to be made in emergencies. You will be kept fully informed by your course co-ordinator, and if disruption occurs you should refer to the University Website for information about how to proceed.

Student Charter and Responsibilities

The Student Charter assumes and acknowledges that students are active participants in the learning process and that they have responsibilities to the institution and the international community of scholars. The University expects that students will act at all times in a way that demonstrates respect for the rights of other students and staff so that the learning environment is both safe and productive. For further information visit Student Charter https://www.auckland.ac.nz/en/students/forms-policies-and-guidelines/student-policies-and-guidelines/student-charter.html.

Disclaimer

Elements of this outline may be subject to change. The latest information about the course will be available for enrolled students in Canvas.

In this course you may be asked to submit your coursework assessments digitally. The University reserves the right to conduct scheduled tests and examinations for this course online or through the use of computers or other electronic devices. Where tests or examinations are conducted online remote invigilation arrangements may be used. The final decision on the completion mode for a test or examination, and remote invigilation arrangements where applicable, will be advised to students at least 10 days prior to the scheduled date of the assessment, or in the case of an examination when the examination timetable is published.

Published on 29/06/2021 04:57 p.m.