MUS 375 : Jazz Composition and Arranging 2

Creative Arts and Industries

2024 Semester One (1243) (15 POINTS)

Course Prescription

Composition and arranging in the jazz idiom exploring small ensemble and big band contexts. Scoring, voicing concepts and sectional writing that assist students in the development of a portfolio of work.

Course Overview

The aim of this course is to provide jazz students with basic fundamental skills in a wide variety of contemporary compositional and arranging techniques. The successful graduate will have the ability to create and orchestrate music for small to large ensembles and will have a good practical understanding of jazz composition from both the technical and aesthetic/emotional sides. 

Course Requirements

Prerequisite: MUS 275

Capabilities Developed in this Course

Capability 1: People and Place
Capability 3: Knowledge and Practice
Capability 5: Solution Seeking
Capability 7: Collaboration
Capability 8: Ethics and Professionalism
Graduate Profile: Bachelor of Music

Learning Outcomes

By the end of this course, students will be able to:
  1. Compose, arrange and score for small to large jazz ensemble. (Capability 1.2, 3.1, 7.1, 8.1 and 8.2)
  2. Write music for a variety of genres, from traditional to contemporary influences. (Capability 1.2, 3.1, 5.1, 7.1, 8.1 and 8.2)
  3. Create and develop musical ideas into workable compositions and arrangements. (Capability 1.2, 3.1, 5.1, 7.1, 8.1 and 8.2)
  4. Transcribe and analyse compositions, identify compositional devices used and apply in your own work. (Capability 1.2, 3.1, 5.1, 7.1, 8.1 and 8.2)

Assessments

Assessment Type Percentage Classification
Composition Portfolio 50% Individual Coursework
Large Ensemble Arrangement 50% Individual Coursework
Assessment Type Learning Outcome Addressed
1 2 3 4
Composition Portfolio
Large Ensemble Arrangement

Assignments are to be submitted, according to submission type specified on CANVAS, by the due date. In the event of illness or other circumstances that prevent completing an assignment, please contact the course coordinator with independent evidence as appropriate before the due date. Late assignments that do not have an approved extension will be penalized 10% for each day or part thereof. No assignment will be accepted after that assignment has been returned to students.

Teaching & Learning Methods

This course is has 2 x 1.5 hour lectures per week. During the lectures relevant techniques and devices are explained in depth, accompanied by essential critique of student work. It is essential that students attend lectures. Canvas is used to post support resources relevant to lecture content.

Workload Expectations

This course is a standard 15 point course and students are expected to spend 10 hours per week involved in each 15 point course that they are enrolled in.

For this course, you can expect 36 hours of lectures, 36 hours of reading and thinking about the content and 78 hours of work on assignments and/or test preparation.

Delivery Mode

Campus Experience

Attendance is expected at scheduled activities including classes and tutorials to complete and receive credit for components of the course.

Lectures will be available as recordings. Other learning activities including  practical classes and studios  will not be available as recordings.

The course may include live online events including group discussions and tutorials.

Attendance on campus is required for tests and exams.

The activities for the course are scheduled as a standard weekly timetable delivery.

Learning Resources

Course materials are made available in a learning and collaboration tool called Canvas which also includes reading lists and lecture recordings (where available).

Please remember that the recording of any class on a personal device requires the permission of the instructor.

Required software:
Music notation software such as Sibelius, Finale, or similar is required.

A Digital Audio Workstation (DAW) such as Logic, Pro Tools, Ableton, or similar is required.

Recommended Reading:
Pullig, Ken and Dick Lowell. Arranging for Large Ensemble. Berklee: Berklee Press, 2003.
Pease, Ted and Ken Pullig. Modern Jazz Voicings. Berklee: Berklee Press, 2001. 
Goldstein, Gil. Jazz Composers Companion. New York: Music Sales Corp, 1982.
Nestico, Sammy. The Complete Arranger. Delevan, N.Y: Fenwood Music Co. 1993
Levine, Mark. The Jazz Theory Book. Petaluma: Sher Music Co, 1996.
Pease, Ted. Jazz Composition – Theory and Practice. Berklee: Berklee Press. 2003.

Health & Safety

Should students be having issues coping, feeling excessively stressed or mentally unwell, the following resources are available:
Student Learning Centre:  09 3737599 Ext 88850
University Health and Counselling Service (USCS). 09 9237681
Student Disability Service:09 3737599 Ext 82936

Student Feedback

At the end of every semester students will be invited to give feedback on the course and teaching through a tool called SET or Qualtrics. The lecturers and course co-ordinators will consider all feedback and respond with summaries and actions.

Your feedback helps teachers to improve the course and its delivery for future students.

Class Representatives in each class can take feedback to the department and faculty staff-student consultative committees.

Broke up one large creative portfolio of work into two equal parts:
Will teach aesthetic/emotional approaches to writing in term 1 then switch to the technical large ensemble in term 2.

Other Information

Assignments are to be submitted, according to submission type specified on CANVAS, by the due date. In the event of illness or other circumstances that prevent completing an assignment, please contact the course coordinator with evidence as appropriate before the due date. Late assignments that do not have an approved extension will be penalized 10% for each day or part thereof. No assignment will be accepted after that assignment has been returned to students.

Academic Integrity

The University of Auckland will not tolerate cheating, or assisting others to cheat, and views cheating in coursework as a serious academic offence. The work that a student submits for grading must be the student's own work, reflecting their learning. Where work from other sources is used, it must be properly acknowledged and referenced. This requirement also applies to sources on the internet. A student's assessed work may be reviewed for potential plagiarism or other forms of academic misconduct, using computerised detection mechanisms.

Class Representatives

Class representatives are students tasked with representing student issues to departments, faculties, and the wider university. If you have a complaint about this course, please contact your class rep who will know how to raise it in the right channels. See your departmental noticeboard for contact details for your class reps.

Inclusive Learning

All students are asked to discuss any impairment related requirements privately, face to face and/or in written form with the course coordinator, lecturer or tutor.

Student Disability Services also provides support for students with a wide range of impairments, both visible and invisible, to succeed and excel at the University. For more information and contact details, please visit the Student Disability Services’ website http://disability.auckland.ac.nz

Special Circumstances

If your ability to complete assessed coursework is affected by illness or other personal circumstances outside of your control, contact a member of teaching staff as soon as possible before the assessment is due.

If your personal circumstances significantly affect your performance, or preparation, for an exam or eligible written test, refer to the University’s aegrotat or compassionate consideration page https://www.auckland.ac.nz/en/students/academic-information/exams-and-final-results/during-exams/aegrotat-and-compassionate-consideration.html.

This should be done as soon as possible and no later than seven days after the affected test or exam date.

Learning Continuity

In the event of an unexpected disruption we undertake to maintain the continuity and standard of teaching and learning in all your courses throughout the year. If there are unexpected disruptions the University has contingency plans to ensure that access to your course continues and your assessment is fair, and not compromised. Some adjustments may need to be made in emergencies. You will be kept fully informed by your course co-ordinator, and if disruption occurs you should refer to the University Website for information about how to proceed.

Student Charter and Responsibilities

The Student Charter assumes and acknowledges that students are active participants in the learning process and that they have responsibilities to the institution and the international community of scholars. The University expects that students will act at all times in a way that demonstrates respect for the rights of other students and staff so that the learning environment is both safe and productive. For further information visit Student Charter https://www.auckland.ac.nz/en/students/forms-policies-and-guidelines/student-policies-and-guidelines/student-charter.html.

Disclaimer

Elements of this outline may be subject to change. The latest information about the course will be available for enrolled students in Canvas.

In this course students may be asked to submit coursework assessments digitally. The University reserves the right to conduct scheduled tests and examinations for this course online or through the use of computers or other electronic devices. Where tests or examinations are conducted online remote invigilation arrangements may be used. In exceptional circumstances changes to elements of this course may be necessary at short notice. Students enrolled in this course will be informed of any such changes and the reasons for them, as soon as possible, through Canvas.

Published on 28/11/2023 10:29 a.m.