MUS 749 : Topic in World Music

Creative Arts and Industries

2022 Semester Two (1225) (15 POINTS)

Course Prescription

An intensive performance-based course that focuses on a specific regional musical tradition.

Course Overview

The course will focus on the compositional models used in vocal and instrumental music in North Indian classical music. The course has both practical and theoretical nature to cover the basic understanding of performance, composition, and improvisation of Indian classical musi

Course Requirements

Prerequisite: Departmental approval Restriction: MUS 349

Capabilities Developed in this Course

Capability 1: Disciplinary Knowledge and Practice
Capability 2: Critical Thinking
Capability 3: Solution Seeking
Capability 4: Communication and Engagement
Capability 5: Independence and Integrity
Capability 6: Social and Environmental Responsibilities

Learning Outcomes

By the end of this course, students will be able to:
  1. Demonstrate the Raga framework and its compositional and improvisational process (Capability 1, 2, 3, 4, 5 and 6)
  2. Perform the composition(s) taught from memory
  3. Demonstrate their understanding of Hindustani music materials and performance practice through their successful performance of the compositions taught in the workshop.
  4. Be able to explain the relationship between raga and taal, and between modal structure, compositional forms, and improvisational practice
  5. Demonstrate a beginning understanding of Hindustani music culture.

Assessments

Assessment Type Percentage Classification
Written Assesment 40% Individual Coursework
Coursework 20% Individual Coursework
Creative Practice Assessment 40% Individual Coursework
Assessment Type Learning Outcome Addressed
1 2 3 4 5
Written Assesment
Coursework
Creative Practice Assessment

Assignments are to be submitted, according to the submission type specified on Canvas, by the due date. If illness or other circumstances prevent completing an assignment, please contact the course coordinator with evidence as appropriate before the due date. Late assignments that do not have an approved extension will be penalized 10% for each day or part thereof. No assignment will be accepted after that assignment has been returned to students.

Teaching & Learning Methods

This course is delivered as a series of weekly two hours lectures/workshops and a tutorial. The course follows a structure to develop the understanding of Hindustani musical performance and composition frameworks. The workshop attendance is a must for all the students to pass the course. Other than participation, the students will be expected to submit both written and practical assessments.

Workload Expectations

The student workload for a 15 point course is approximately 150 hours per semester.

The hours are divided between:

Lectures

Workshop Participations

Tutorials

Personal Practice

Reading

Delivery Mode

Campus Experience

Attendance is required at scheduled activities, including workshop and tutorials to complete components of the course.

Some components of the course may be conducted online.

Learning Resources

Course materials are made available in a learning and collaboration tool called Canvas which also includes reading lists and lecture recordings (where available).

Please remember that the recording of any class on a personal device requires the permission of the instructor.

Some basic readings:
Matthew Rahaim. Introduction, in Musicking Bodies: Gesture and Voice in Hindustani Music, pp. 1-15. Wesleyan University Press, 2012. [ML: 781.754 R14]
Peter Lavezzoli. The Essence of Rhythm: Alla Rakha and Zakir Hussain, in The Dawn of Indian Music in the West – Bhairavi (Ch. 6), pp. 101-124. Continuum, 2006. [ML:781.754 L39]
Daniel Neuman. The Organization of Specialist Knowledge, The Life of Music in North India: The Organization of an Artistic Tradition (Ch. 4), pp. 85-144. Wayne State University, 1980. [ML: 781.754 N48]
George Ruckert. Song and performance; in Music in North India: Experiencing Music, Expressing Culture (Ch. 5), pp. 52-64. Oxford University Press, 2004. [ML: 781.754 R91m]
Deepak Raja. The Raga-ness of Raga; in, Hindustani Music: A Tradition in Transition (Ch. 3.1), pp. 125-137. D. K. Printworld, 2005. [ML: 781.754 R161h]
Deepak Raja. Ragas Right and Wrong; in, Hindustani Music: A Tradition in Transition (Ch. 3.3), pp. 150-158. D. K. Printworld, 2005. [ML: 781.754 R161h]
Wim van der Meer. Music and its Larger Social Environment and The Rise and Fall of the Gharana System, in, Hindustani Music in the 20th Century (Ch.s 7 & 8), pp. 117-137. Martinus Nijhoff, 1980.
Joep Boer. 1999. The Raga Guide: A Survey of 74 Hindustani Ragas. Nimbus Records.
The University Library holds an extensive collection of books, journals, scores, and helpful audio-visual material during the course.

Student Feedback

At the end of every semester students will be invited to give feedback on the course and teaching through a tool called SET or Qualtrics. The lecturers and course co-ordinators will consider all feedback and respond with summaries and actions.

Your feedback helps teachers to improve the course and its delivery for future students.

Class Representatives in each class can take feedback to the department and faculty staff-student consultative committees.

At the end of every semester students will be invited to give feedback on the course and teaching through a tool called SET or Qualtrics. The lecturers and course coordinators will consider all feedback and respond with summaries and a

Other Information

Although this course does not require prior musical knowledge, it does, of necessity, employ some technical terms in discussing the music itself. These terms are explained in class, but it is expected that students will do further reading to ensure that they fully understand them. Students are encouraged to attend all lectures in the course and complete all tests and coursework assignments.

Academic Integrity

The University of Auckland will not tolerate cheating, or assisting others to cheat, and views cheating in coursework as a serious academic offence. The work that a student submits for grading must be the student's own work, reflecting their learning. Where work from other sources is used, it must be properly acknowledged and referenced. This requirement also applies to sources on the internet. A student's assessed work may be reviewed against online source material using computerised detection mechanisms.

Class Representatives

Class representatives are students tasked with representing student issues to departments, faculties, and the wider university. If you have a complaint about this course, please contact your class rep who will know how to raise it in the right channels. See your departmental noticeboard for contact details for your class reps.

Inclusive Learning

All students are asked to discuss any impairment related requirements privately, face to face and/or in written form with the course coordinator, lecturer or tutor.

Student Disability Services also provides support for students with a wide range of impairments, both visible and invisible, to succeed and excel at the University. For more information and contact details, please visit the Student Disability Services’ website http://disability.auckland.ac.nz

Special Circumstances

If your ability to complete assessed coursework is affected by illness or other personal circumstances outside of your control, contact a member of teaching staff as soon as possible before the assessment is due.

If your personal circumstances significantly affect your performance, or preparation, for an exam or eligible written test, refer to the University’s aegrotat or compassionate consideration page https://www.auckland.ac.nz/en/students/academic-information/exams-and-final-results/during-exams/aegrotat-and-compassionate-consideration.html.

This should be done as soon as possible and no later than seven days after the affected test or exam date.

Learning Continuity

In the event of an unexpected disruption we undertake to maintain the continuity and standard of teaching and learning in all your courses throughout the year. If there are unexpected disruptions the University has contingency plans to ensure that access to your course continues and your assessment is fair, and not compromised. Some adjustments may need to be made in emergencies. You will be kept fully informed by your course co-ordinator, and if disruption occurs you should refer to the University Website for information about how to proceed.

Student Charter and Responsibilities

The Student Charter assumes and acknowledges that students are active participants in the learning process and that they have responsibilities to the institution and the international community of scholars. The University expects that students will act at all times in a way that demonstrates respect for the rights of other students and staff so that the learning environment is both safe and productive. For further information visit Student Charter https://www.auckland.ac.nz/en/students/forms-policies-and-guidelines/student-policies-and-guidelines/student-charter.html.

Disclaimer

Elements of this outline may be subject to change. The latest information about the course will be available for enrolled students in Canvas.

In this course students may be asked to submit coursework assessments digitally. The University reserves the right to conduct scheduled tests and examinations for this course online or through the use of computers or other electronic devices. Where tests or examinations are conducted online remote invigilation arrangements may be used. In exceptional circumstances changes to elements of this course may be necessary at short notice. Students enrolled in this course will be informed of any such changes and the reasons for them, as soon as possible, through Canvas.

Published on 27/06/2022 11:16 a.m.