Search Course Outline
Showing 25 course outlines from 3977 matches
726
DRAMA 301
: Drama: Topics and Themes2021 Semester Two (1215)
Building on the principles and practical skills from DRAMA 202 and 204, the course will focus more narrowly on topics of theatrical practice and dramatic representation. Classes involve theatrical workshops and collaborative projects.
Prerequisite: DRAMA 202 or 204 and approval of Academic Head or nominee
727
DRAMA 301
: Drama: Topics and Themes2020 Semester Two (1205)
Building on the principles and practical skills from DRAMA 202 and 204, the course will focus more narrowly on topics of theatrical practice and dramatic representation. Classes involve theatrical workshops and collaborative projects.
Prerequisite: DRAMA 202 or 204 and approval of Academic Head or nominee
728
DRAMA 302
: Performance Skills2024 Semester Two (1245)
Classes in stage acting, improvisation, movement, voice and character, taught by professional tutors. Students will present a solo or duo short performance.
Prerequisite: 30 points at Stage II
Restriction: DRAMA 719
Restriction: DRAMA 719
729
DRAMA 302
: Performance Skills2020 Semester One (1203)
Classes in stage acting, improvisation, movement, voice and character, taught by professional tutors. Students will present a solo or duo short performance.
Prerequisite: 30 points at Stage II and approval of Academic Head or nominee
Restriction: DRAMA 719
Restriction: DRAMA 719
730
DRAMA 303
: Drama of Aotearoa New Zealand and the Pacific2024 Semester Two (1245)
An overview of the development of modern and contemporary drama, theatre and playwriting in Aotearoa New Zealand. Topics include: experimental theatre, feminist drama and Māori drama. Some plays by Pacific writers will be considered.
Prerequisite: 30 points at Stage II
Restriction: DRAMA 203
Restriction: DRAMA 203
731
DRAMA 303
: Drama of Aotearoa New Zealand and the Pacific2023 Semester One (1233)
An overview of the development of modern and contemporary drama, theatre and playwriting in Aotearoa New Zealand. Topics include: experimental theatre, feminist drama and Māori drama. Some plays by Pacific writers will be considered.
Prerequisite: 30 points at Stage II
Restriction: DRAMA 203
Restriction: DRAMA 203
732
DRAMA 304
: Contemporary Theatre Practice2022 Semester One (1223)
A survey of current trends in theatre practice, including: devised and dance-theatre, participatory and immersive theatre, autobiographical performance, applied theatre and documentary theatre, intermedial and virtual theatre, and new musical theatre. Students will select focus areas and engage in critical and creative research towards two key performance outcomes.
Prerequisite: 30 points at Stage II and approval of Academic Head or nominee
733
DRAMA 305
: Special Topic: Drama Tools2023 Semester Two (1235)
Develops the skills that are essential in theatre-making, including acting and storytelling, by staging a public performance. During the intensive three-week rehearsal period, under the guidance of an experienced director, students work in a collaborative fashion through ongoing group discussion and theatrical practice. Other transferable skills include effective communication, team-work and problem solving in an active and creative manner.
Prerequisite: 30 points at Stage II and approval of the Academic Head or nominee
734
DRAMA 306
: Production and Management Skills2024 Semester One (1243)
Introduces students to multiple roles and skills needed for the management of productions, companies and other organisations in the performing-arts, specifically drama, but also dance, music and other performance art. Skills discussed include planning and creating schedules and budgets, procuring and managing resources, arts organisation infrastructure and liaison, donor and benefactor development, social marketing and networking, crowdfunding, and outcome reporting.
Prerequisite: DRAMA 202 or 204
735
DRAMA 306
: Production and Management Skills2023 Semester One (1233)
Introduces students to multiple roles and skills needed for the management of productions, companies and other organisations in the performing-arts, specifically drama, but also dance, music and other performance art. Skills discussed include planning and creating schedules and budgets, procuring and managing resources, arts organisation infrastructure and liaison, donor and benefactor development, social marketing and networking, crowdfunding, and outcome reporting.
Prerequisite: DRAMA 202 or approval of the Academic Head or nominee
736
DRAMA 306
: Production and Management Skills2022 Semester One (1223)
Introduces students to multiple roles and skills needed for the management of productions, companies and other organisations in the performing-arts, specifically drama, but also dance, music and other performance art. Skills discussed include planning and creating schedules and budgets, procuring and managing resources, arts organisation infrastructure and liaison, donor and benefactor development, social marketing and networking, crowdfunding, and outcome reporting.
Prerequisite: DRAMA 202 or approval of the Academic Head or nominee
737
DRAMA 306
: Production and Management Skills2021 Semester One (1213)
Introduces students to multiple roles and skills needed for the management of productions, companies and other organisations in the performing-arts, specifically drama, but also dance, music and other performance art. Skills discussed include planning and creating schedules and budgets, procuring and managing resources, arts organisation infrastructure and liaison, donor and benefactor development, social marketing and networking, crowdfunding, and outcome reporting.
Prerequisite: DRAMA 202 or approval of the Academic Head or nominee
738
DRAMA 708
: Drama and the Mind2024 Semester Two (1245)
Examines a selection of modern British and Irish dramatic texts that involve mind-body relationships and the representation of unconscious processes. Perspectives include Freudian psychoanalysis, neuroscience, and theories of acting.
No pre-requisites or restrictions
739
DRAMA 708
: Drama and the Mind2022 Semester Two (1225)
Examines a selection of modern British and Irish dramatic texts that involve mind-body relationships and the representation of unconscious processes. Perspectives include Freudian psychoanalysis, neuroscience, and theories of acting.
No pre-requisites or restrictions
740
DRAMA 708
: Drama and the Mind2020 Semester One (1203)
Examines a selection of modern British and Irish dramatic texts that involve mind-body relationships and the representation of unconscious processes. Perspectives include Freudian psychoanalysis, neuroscience, and theories of acting.
No pre-requisites or restrictions
741
DRAMA 718
: Playwriting2024 Semester One (1243)
A series of exercises in the basic building blocks of dramatic writing, incorporating guest visits from practising and established dramatists.
Restriction: DRAMA 714
742
DRAMA 718
: Playwriting2023 Semester Two (1235)
A series of exercises in the basic building blocks of dramatic writing, incorporating guest visits from practising and established dramatists.
Restriction: DRAMA 714
743
DRAMA 718
: Playwriting2021 Semester One (1213)
A series of exercises in the basic building blocks of dramatic writing, incorporating guest visits from practising and established dramatists.
Restriction: DRAMA 714
744
DRAMA 718
: Playwriting2020 Semester Two (1205)
A series of exercises in the basic building blocks of dramatic writing, incorporating guest visits from practising and established dramatists.
Restriction: DRAMA 714
745
DRAMA 728
: Research Principles for Theatre2024 Semester One (1243)
Outlines the principles of research for theatre. Combines critical enquiry, theory and practical exercises to explore best practice in scholarly and creative performance research. Topics include developing a subject, refining a research question, scholarly research practices, using the creative process as research methodology, and framing research findings. Examines impact of language, culture and gender on theatre research.
No pre-requisites or restrictions
746
DRAMA 728
: Research Principles for Theatre2022 Semester One (1223)
Outlines the principles of research for theatre. Combines critical enquiry, theory and practical exercises to explore best practice in scholarly and creative performance research. Topics include developing a subject, refining a research question, scholarly research practices, using the creative process as research methodology, and framing research findings. Examines impact of language, culture and gender on theatre research.
No pre-requisites or restrictions
747
DRAMA 730
: Studio/Project in Practical Drama2023 Semester One (1233)
Students may undertake a supervised practical project in drama of a limited scale, either as an individual or in a small group.
To complete this course students must enrol in DRAMA 730 A and B, or DRAMA 730
748
ENGLISH 101
: Literature and the Contemporary2024 Semester One (1243)
Constitutes a wide-ranging study of literatures in English in different forms and media in the twentieth and twenty-first centuries. Themes studied may include modernity/postmodernity, diaspora, gender relations, sexuality, cross-cultural contacts, memory, film adaptation, war and ecological crisis. Works will be examined in the context of key historical events and cultural movements.
No pre-requisites or restrictions
749
ENGLISH 101
: Literature and the Contemporary2023 Semester One (1233)
Constitutes a wide-ranging study of literatures in English in different forms and media in the twentieth and twenty-first centuries. Themes studied may include modernity/postmodernity, diaspora, gender relations, sexuality, cross-cultural contacts, memory, film adaptation, war and ecological crisis. Works will be examined in the context of key historical events and cultural movements.
No pre-requisites or restrictions
750
ENGLISH 101
: Literature and the Contemporary2022 Semester One (1223)
Constitutes a wide-ranging study of literatures in English in different forms and media in the twentieth and twenty-first centuries. Themes studied may include modernity/postmodernity, diaspora, gender relations, sexuality, cross-cultural contacts, memory, film adaptation, war and ecological crisis. Works will be examined in the context of key historical events and cultural movements.
No pre-requisites or restrictions
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