Search Course Outline
Showing 25 course outlines from 3987 matches
2001
MEDIA 101
: Film Studies2023 Semester One (1233)
An introduction to the feature film and the main traditions of film criticism. A series of significant films, from 1915 to the present, are explored in detail. The aim is to develop a historical perspective, an awareness of film-making as an art and an interest in the relationship between films and society, including debates about race, gender, censorship.
Restriction: FTVMS 101
2002
MEDIA 101
: Film Studies2022 Semester Two (1225)
An introduction to the feature film and the main traditions of film criticism. A series of significant films, from 1915 to the present, are explored in detail. The aim is to develop a historical perspective, an awareness of film-making as an art and an interest in the relationship between films and society, including debates about race, gender, censorship.
Restriction: FTVMS 101
2003
MEDIA 101
: Film Studies2021 Semester Two (1215)
An introduction to the feature film and the main traditions of film criticism. A series of significant films, from 1915 to the present, are explored in detail. The aim is to develop a historical perspective, an awareness of film-making as an art and an interest in the relationship between films and society, including debates about race, gender, censorship.
Restriction: FTVMS 101
2004
MEDIA 101
: Film Studies2020 Semester Two (1205)
An introduction to the feature film and the main traditions of film criticism. A series of significant films, from 1915 to the present, are explored in detail. The aim is to develop a historical perspective, an awareness of film-making as an art and an interest in the relationship between films and society, including debates about race, gender, censorship.
Restriction: FTVMS 101
2005
MEDIA 102
: Media and Culture2025 Semester Two (1255)
Examines popular media texts, genres, audiences and industries, reflecting on how they influence our notions of self and society. Draws on case studies from a range of popular media, from film and television to comics, games, popular music, social media and advertising. Fosters critical perspectives on media as vehicles for cultural meaning, alongside strategies for crafting personal and collective narratives.
No pre-requisites or restrictions
2006
MEDIA 102
: Media and Culture2024 Semester Two (1245)
Examines popular media texts, genres, audiences and industries, reflecting on how they influence our notions of self and society. Draws on case studies from a range of popular media, from film and television to comics, games, popular music, social media and advertising. Fosters critical perspectives on media as vehicles for cultural meaning, alongside strategies for crafting personal and collective narratives.
No pre-requisites or restrictions
2007
MEDIA 102
: Media and Culture2023 Semester Two (1235)
Examines popular media texts, genres, audiences and industries, reflecting on how they influence our notions of self and society. Draws on case studies from a range of popular media, from film and television to comics, games, popular music, social media and advertising. Fosters critical perspectives on media as vehicles for cultural meaning, alongside strategies for crafting personal and collective narratives.
No pre-requisites or restrictions
2008
MEDIA 201
: Contemporary Chinese Media2021 Summer School (1210)
Focuses on the evolution of media industries and the growth of new media in contemporary China. Investigates a range of media formats in relation to media policies and media production, circulation and consumption. Addresses these issues against the backdrop of the broader aesthetic and socio-cultural influences in contemporary China.
Prerequisite: 15 points from COMMS 100, 104, FTVMS 100, 101, 110, MEDIA 101 and 45 points in BA courses
Restriction: MEDIA 301
Restriction: MEDIA 301
2009
MEDIA 202
: Hollywood and its Others2024 Semester Two (1245)
An investigation of Hollywood’s interactions with European and Asian cinema, with a particular focus on its industrial, aesthetic and cultural aspects. Students will gain a historical understanding of Hollywood cinema and how its relationships with other film cultures have shaped the dynamics of global cinema.
Prerequisite: 15 points at Stage I in Media and Screen Studies and 30 points passed, or 30 points in Transnational Cultures and Creative Practice
Restriction: MEDIA 307
Restriction: MEDIA 307
2010
MEDIA 202
: Hollywood and its Others2022 Semester One (1223)
An investigation of Hollywood with a particular focus on its industrial, aesthetic and cultural aspects. Students will gain a historical understanding of classical Hollywood cinema, which will serve as the basis for comparison to other national cinemas and/or American independent productions of recent decades.
Prerequisite: 15 points from COMMS 100, 104, FTVMS 100, 101, 110, MEDIA 101 and 45 points in BA courses, or 30 points in Transnational Cultures and Creative Practice
Restriction: FTVMS 202, 307, MEDIA 307
Restriction: FTVMS 202, 307, MEDIA 307
2011
MEDIA 202
: Hollywood and its Others2020 Semester Two (1205)
An investigation of Hollywood with a particular focus on its industrial, aesthetic and cultural aspects. Students will gain a historical understanding of classical Hollywood cinema, which will serve as the basis for comparison to other national cinemas and/or American independent productions of recent decades.
Prerequisite: 15 points from COMMS 100, 104, FTVMS 100, 101, 110, MEDIA 101 and 45 points in BA courses, or 30 points in Transnational Cultures and Creative Practice
Restriction: FTVMS 202, 307, MEDIA 307
Restriction: FTVMS 202, 307, MEDIA 307
2012
MEDIA 211
: Watching Television2020 Semester One (1203)
Explores the historical development and distinctive aesthetic style of television; examines television’s role in the production of individual, national and global identities; and interrogates television’s negotiation of social meanings in the context of everyday life. Specific topics include domestic context; audience reception and negotiation; fandom and celebrity; the regulation of childhood; commodity culture and tabloid television.
Prerequisite: 15 points from COMMS 100, 104, FTVMS 100, 101, 110, MEDIA 101 and 45 points in BA courses
Restriction: FTVMS 211, 309, MEDIA 309
Restriction: FTVMS 211, 309, MEDIA 309
2013
MEDIA 212
: Video Games: Theory and Culture2024 Semester One (1243)
A study of video games as a new media form situated in the broader context of media theory and history. Considers video gaming as an industry, as a leisure activity, and as a site of aesthetic and narrative innovation. The course examines what makes video games a distinctive media form.
Prerequisite: 15 points at Stage I in Media and Screen Studies and 30 points passed, or 30 points in Communication
Restriction: MEDIA 328
Restriction: MEDIA 328
2014
MEDIA 212
: Video Games: Theory and Culture2022 Semester One (1223)
A study of video games as a new media form situated in the broader context of media theory and history. Considers video gaming as an industry, as a leisure activity, and as a site of aesthetic and narrative innovation. The course examines what makes video games a distinctive media form.
Prerequisite: 15 points from COMMS 100, 104, FTVMS 100, 101, 110, MEDIA 101 and 45 points in BA courses
Restriction: FTVMS 212, 328, MEDIA 328
Restriction: FTVMS 212, 328, MEDIA 328
2015
MEDIA 212
: Video Games: Theory and Culture2020 Semester Two (1205)
A study of video games as a new media form situated in the broader context of media theory and history. Considers video gaming as an industry, as a leisure activity, and as a site of aesthetic and narrative innovation. The course examines what makes video games a distinctive media form.
Prerequisite: 15 points from COMMS 100, 104, FTVMS 100, 101, 110, MEDIA 101 and 45 points in BA courses
Restriction: FTVMS 212, 328, MEDIA 328
Restriction: FTVMS 212, 328, MEDIA 328
2016
MEDIA 213
: Cinema of Aotearoa New Zealand2022 Semester Two (1225)
Traces a thematic history of filmmaking in Aotearoa New Zealand from the mid-1980s until the present. Locates a range of films in their historical, social and political contexts by concentrating on issues that arise for a small nation defined by indigenous and settler relations, immigration and globalisation.
Prerequisite: 15 points from COMMS 100, 104, FTVMS 100, 101, 110, MEDIA 101 and 45 points in BA courses
Restriction: FTVMS 208, 300, MEDIA 313
Restriction: FTVMS 208, 300, MEDIA 313
2017
MEDIA 213
: Cinema of Aotearoa New Zealand2021 Semester One (1213)
Traces a thematic history of filmmaking in Aotearoa New Zealand from the mid-1980s until the present. Locates a range of films in their historical, social and political contexts by concentrating on issues that arise for a small nation defined by indigenous and settler relations, immigration and globalisation.
Prerequisite: 15 points from COMMS 100, 104, FTVMS 100, 101, 110, MEDIA 101 and 45 points in BA courses
Restriction: FTVMS 208, 300, MEDIA 313
Restriction: FTVMS 208, 300, MEDIA 313
2018
MEDIA 213
: Cinema of Aotearoa New Zealand2020 Summer School (1200)
Traces a thematic history of filmmaking in Aotearoa New Zealand from the mid-1980s until the present. Locates a range of films in their historical, social and political contexts by concentrating on issues that arise for a small nation defined by indigenous and settler relations, immigration and globalisation.
Prerequisite: 15 points from COMMS 100, 104, FTVMS 100, 101, 110, MEDIA 101 and 45 points in BA courses
Restriction: FTVMS 208, 300, MEDIA 313
Restriction: FTVMS 208, 300, MEDIA 313
2019
MEDIA 214
: Social Media2024 Semester Two (1245)
Addresses issues related to the use of social media and considers in particular the influence of new media corporations such as Facebook, as well as platforms like Twitter, SnapChat, Tinder and YouTube. Explores our cultural practices and social rituals in relation to these peer-to-peer, one-to-many media technologies, and examines this revolution in the media landscape.
Prerequisite: 15 points at Stage I in Media and Screen Studies and 30 points passed, or 30 points in Communication
Restriction: COMMS 204, MEDIA 314
Restriction: COMMS 204, MEDIA 314
2020
MEDIA 214
: Social Media2022 Semester Two (1225)
Addresses issues related to the use of social media and considers in particular the influence of new media corporations such as Facebook, as well as platforms like Twitter, SnapChat, Tinder and YouTube. Explores our cultural practices and social rituals in relation to these peer-to-peer, one-to-many media technologies, and examines this revolution in the media landscape.
Prerequisite: 60 points at Stage I
Restriction: COMMS 204, FTVMS 235, 335, MEDIA 314
Restriction: COMMS 204, FTVMS 235, 335, MEDIA 314
2021
MEDIA 218
: Popular Music on Screens2023 Semester One (1233)
Explores relationships between popular music and visual media, such as film, television and online media. Includes analysis of documentaries, feature films, TV shows, music videos and social media platforms. Themes include stardom, fandom, songs, dancing, music genres, technologies and industries. Texts are situated in debates about music media and power relations marked by class, gender, sexuality, race and ethnicity.
Prerequisite: 15 points at Stage I in Media and Screen Studies, or ANTHRO 106, and 30 points passed
Restriction: FTVMS 218, 323, MEDIA 323
Restriction: FTVMS 218, 323, MEDIA 323
2022
MEDIA 218
: Popular Music on Screens2021 Semester Two (1215)
Explores relationships between popular music and visual media, such as film, television and online media. Includes analysis of documentaries, feature films, TV shows, music videos and social media platforms. Themes include stardom, fandom, songs, dancing, music genres, technologies and industries. Texts are situated in debates about music media and power relations marked by class, gender, sexuality, race and ethnicity.
Prerequisite: 15 points from COMMS 100, 104, FTVMS 100, 101, 110, MEDIA 101 and 45 points in BA courses
Restriction: FTVMS 218, 323, MEDIA 323
Restriction: FTVMS 218, 323, MEDIA 323
2023
MEDIA 218
: Popular Music on Screens2020 Semester Two (1205)
Explores relationships between popular music and visual media, such as film, television and online media. Includes analysis of documentaries, feature films, TV shows, music videos and social media platforms. Themes include stardom, fandom, songs, dancing, music genres, technologies and industries. Texts are situated in debates about music media and power relations marked by class, gender, sexuality, race and ethnicity.
Prerequisite: 15 points from COMMS 100, 104, FTVMS 100, 101, 110, MEDIA 101 and 45 points in BA courses
Restriction: FTVMS 218, 323, MEDIA 323
Restriction: FTVMS 218, 323, MEDIA 323
2024
MEDIA 219
: Memory and Media2021 Semester Two (1215)
Explores the relationship between memory and the ways in which it is experienced, represented and embodied through media technologies. Students will examine how film, television and new media have depicted processes of memory and forgetting, and the extent to which these media forms themselves serve as a type of surrogate memory.
Prerequisite: 15 points from COMMS 100, 104, FTVMS 100, 101, 110, MEDIA 101 and 45 points in BA courses
Restriction: FTVMS 219, 326, MEDIA 326
Restriction: FTVMS 219, 326, MEDIA 326
2025
MEDIA 220
: Mockumentary and Docu-Genres2021 Semester One (1213)
Considers the development of mockumentary and fakery in relation to documentary genres. Introduces students to basic concepts related to documentary realism and then explores a range of film and television examples that refer to, subvert, and problematise notions of visible evidence and factuality.
Prerequisite: 15 points from COMMS 100, 104, FTVMS 100, 101, 110, MEDIA 101 and 45 points in BA courses
Restriction: FTVMS 220, 316, MEDIA 316
Restriction: FTVMS 220, 316, MEDIA 316
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