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Students will consider the types of roles and structures that exist in contemporary art worlds, with a focus on curatorial practice and exhibition making from the perspective of the artist. Engaging with the local art world, students will develop a critically informed exhibition proposal for a real-world context.

Students will consider the types of roles and structures that exist in contemporary art worlds, with a focus on curatorial practice and exhibition making from the perspective of the artist. Engaging with the local art world, students will develop a critically informed exhibition proposal for a real-world context.

Students will consider the types of roles and structures that exist in contemporary art worlds, with a focus on curatorial practice and exhibition making from the perspective of the artist. Engaging with the local art world, students will develop a critically informed exhibition proposal for a real-world context.

An introduction to approaches to drawing and its relationship with contemporary practices in art and design, including digital and analogue drawing techniques. The course explores drawing as a conceptual method of thinking through making.

Encourages the development and creation of artworks that explore whakapapa, whakawhanaungatanga, genealogy, and relationality as the foundation of creative practice in the contexts of Aotearoa and Te-Moana-Nui-a-Kiwa. Related indigenous methodologies and concepts will be explored.

Encourages the development and creation of artworks that explore whakapapa, whakawhanaungatanga, genealogy, and relationality as the foundation of creative practice in the contexts of Aotearoa and Te-Moana-Nui-a-Kiwa. Related indigenous methodologies and concepts will be explored.

Explores and examines the ongoing impact of colonisation, imperialism, and migration through art making. Related indigenous methodologies and concepts will be explored.

Explores and examines the ongoing impact of colonisation, imperialism, and migration through art making. Related indigenous methodologies and concepts will be explored.

Explores and examines the ongoing impact of colonisation, imperialism, and migration through art making. Related indigenous methodologies and concepts will be explored.

Explores and examines the ongoing impact of colonisation, imperialism, and migration through art making. Related indigenous methodologies and concepts will be explored.

Addresses image-making in a digital world. Explores the relation between the fabrication of individual images and their circulation through mass media using different mediums. Reflection on the different ways artists might embrace or subvert the profusion of internet imagery.

Addresses image-making in a digital world. Explores the relation between the fabrication of individual images and their circulation through mass media using different mediums. Reflection on the different ways artists might embrace or subvert the profusion of internet imagery.

Addresses image-making in a digital world. Explores the relation between the fabrication of individual images and their circulation through mass media using different mediums. Reflection on the different ways artists might embrace or subvert the profusion of internet imagery.

Addresses object-making in a digital world. Responds to the immaterial condition of internet culture, students will generate sculptural objects that exist in real space. Reflection on materiality and mediation in contemporary culture.

Addresses object-making in a digital world. Responds to the immaterial condition of internet culture, students will generate sculptural objects that exist in real space. Reflection on materiality and mediation in contemporary culture.

Explores the role of the audience in art and examines the work of artists and writers who have challenged assumptions about audience. Students will make creative work with a particular audience in mind using their own choice of means and/or modes of encounter. They will explore how to negotiate the ethics of working with others, including working with mana whenua.

Explores the role of the audience in art and examines the work of artists and writers who have challenged assumptions about audience. Students will make creative work with a particular audience in mind using their own choice of means and/or modes of encounter. They will explore how to negotiate the ethics of working with others, including working with mana whenua.

How is identity produced? Explores key concepts of fluidity, intersectionality, body image, fashion, gender and persona, in relation to photography, film, art, and fashion.

How is identity produced? Explores key concepts of fluidity, intersectionality, body image, fashion, gender and persona, in relation to photography, film, art, and fashion.

How is identity produced? Explores key concepts of fluidity, intersectionality, body image, fashion, gender and persona, in relation to photography, film, art, and fashion.

How is identity produced? Explores key concepts of fluidity, intersectionality, body image, fashion, gender and persona, in relation to photography, film, art, and fashion.

Students will undertake a studio art project that responds to the challenges of the Anthropocene and climate change. The course explores related art and ideas from Aotearoa and overseas.

Students will undertake a studio art project that responds to the challenges of the Anthropocene and climate change. The course explores related art and ideas from Aotearoa and overseas.

Students will undertake a studio art project that responds to the challenges of the Anthropocene and climate change. The course explores related art and ideas from Aotearoa and overseas.

Students will undertake a studio art project that responds to the challenges of the Anthropocene and climate change. The course explores related art and ideas from Aotearoa and overseas.